The Life and Death of Oral Roberts
December 15, 2009

The Oral Roberts Ministry Website announced today that after an injury Yesterday and subsquent hospitalization, Oral Roberts has died at age 91.
The Tulsa World launched an article yesterday announcing briefly and with undetailed accounts how the Famed Televangelist and Icon of “Healing Ministry” had been hospitalized. He died from complications due to pneumonia, which he’d had before going in to the hospital yesterday. His son Richard was with him when he passed.
Most famous for his teachings on the goodness of God, and the “miracle of seed faith,” Oral was a visionary whose hard work and dedication to his faith were evident in what He built. He built the school where I attended undergraduate studies, Oral Roberts University, as well as a medical school which while no longer in operation was a tremendous feat for its time.
Many Pentecostals and Charismatics owe their entire ministries and styles of ministry to the work of Oral. This is simultaneously a good and bad thing. While Oral himself was humble and taught seed faith in humility there have been abuses since its popularization, and it has come to be equated with “name it and claim it” theology as well as a general apathy towards divine transcendence on a personal level. Yet, despite these things the work of Oral himself was a blessing to many of us, and while his life like any life is riddled with complications, He did his best to be faithful and we will remember him fondly.
Pentecostals around the planet are indebted to this man, who created televangelism almost singlehandedly, and expanded not only Pentecostalism but a whole generation of various faith movements in Evangelical Christianity. While we’ve seen the abuses and cheap greasy hair that has come out of imitations, the work of Oral Himself attempted to be to the greater glory of God at all times.
Many Pentecostals like Dr. Jack Hayford say that Oral almost singlehandedly created the Pentecostal/Charismatic renewal that was the protestant answer to America’s increasing secularism. While today many remember his late 1980’s money raising efforts that might have partially shamed him in the public eye until today, I think history especially Christian history will look favorably on him, and his work. It is my prediction that what we call the pentecostal/charismatic renewal will eventually be categorized as a continued sort of great awakening, and that Oral Roberts will be the defining figurehead of 20th century Christianity on the pastoral level. Maybe the third or fourth “awakening”, i don’t know who keeps track anymore.
Dr. Jack Hayford has said of Him: “Oral shook the landscape with the inescapable reality and practicality of Jesus’ whole ministry. His teaching and concepts were foundational to the renewal that swept through the whole church. He taught concepts that spread throughout the world and simplified and focused a spiritual lifestyle that is embraced by huge sectors of today’s church.”
It’s true that much of the Pentecostal explosion in the third world, including some strains of word faith and general Charismatic ecumenical movements could not have happened without the presence and impact of Oral Roberts in the Twentieth century, paving the way.
Oral Roberts has said of his life’s mission that God spoke to him and told him “Build Me a University. Build it on My Authority, and on the Holy Spirit,” and “Raise up your students to hear my voice, to go where my light is seen dim, where my voice is heard small, and my healing power is not known, even to the uttermost bounds of the earth. Their work will exceed yours, and in that I am well pleased.”
So, to all the faithful, let us remember God’s call not only to Oral, but to us. We are those people who must be the healing power of Jesus in the world. Through our works towards justice, mercy, healing and reconciliation of the world to God in and through Christ Our Lord.
To all my fellow ORU students and alumni, do not let your hearts be troubled, “God is a good God”. While we have lost two men who have shepherded our school in times of need, Pastor Billy Joe, and now Oral, we know that our work has not yet ceased.
Our lives are called to be light, guidance for the world, preservation and flavor where it is in need of our presence, and yeast, slowly spreading to overtake the darkness with God’s incalculably glorious presence and light. Let us remember what we were called to in Faith, and let us hold fast the confession of our hope. Christ is Lord, and our task is His glory.
A Broken Hope- A Weak People (Interlude)
December 14, 2009
“Will you now restore the Kingdom to Israel?” Is today the day you’re going to fix everything, cut the powers that be down to size and show them that Love and Mercy are the true powers and that Love itself is You?
I think not…and for that very reason I am angry with you. I don’t understand your choices, I don’t understand how you claim to Love so powerfully yet allow us to continue in our foolishness and idolatry day after day. Sure you’re self-emptying and all-loving, but this makes no sense. If you loved us, wouldn’t you rather set all things right as soon as possible?
What reason for the delay? Is it some divinely ordained plan to just wait until we’re so exhausted that we can no longer continue? What majesty is there in silence, in weakness, and in being trampled upon? What power can there be in allowing the world to fall ever increasingly into chaos? What justice is there in a world where money rules and corporations decide the events of our lives?
What justice can there be in a world where those who bear your name don’t bear your likeness? What justice can there be in a world where we are persecuted, abandoned and destitute? We are forgotten, just like you.
Men sing your praises with their lips and women clap their hands in exultation, people rejoice at your magnificence, but there are starving people down the street, abandoned buildings in our midst, and suffering children’s cries in our ears.
And yet, you sit in perfect passivity. You contemplate your own glory, and your perfection is unceasing. Maybe we should praise you for being the most contented narcissistic being ever. Mayhap we should be content that everything that happens is in your divine will, and that you’re just a beneficial dictator. Maybe you’re the all-loving Hitler in the sky, at least that’s the way that they paint you. They show you to us as a cloud of glory, an all powerful yet wholly apathetic and unsentimental being, so unmoved that we might burst for the compassion you’ve given us that you seem to lack, because everything is in your plan.
Your words do not rage in the hearts of the prophets, instead, they are drowned out by hushings and sighings. Your cries for justice on the lips of the autistic child are silenced or put out, your cries of love reach deaf ears when they come from the hungry and the poor. The woman in that pew is not sure how she will feed her children tonight, and the couple next to her is sated beyond their ability to spend, what manner of family is this? What honor can be had among a people mighty and sated with their own power?
Your “prophets”, your “apostles”, they ask us to believe that we too should be empowered, powerful, mighty, successful, monetarily wealthy. They tell us to seek these things, and as an afterthought mention that we might want to seek the kingdom first, because these things are irrelevant in so many ways. Your prophets maintain the status quo, they hold fast the barriers, and they’ve made a mockery of you. They’ve cast lots for your garments, but only to exchange them with an american flag. They no longer clothe you in purple, they clothe you in the seamless garment of patriotism. They crown you with lady liberty, and place the declaration of independence as a sign above you. They give you the sword, and nail it to your beaten hands, they take your beaten teeth out of your mouth and replace them with bullets, they take your wounds and fill them with the ichor of bitterness and pride. They give you to drink hypocrisy and mix it with the blood of their enemies. They lay you in the tombs of their great heroes, they inscribe your name on their war memorials and fail to see that you undo their idols. You yourself are the weakened voice that in its very weakness and suffering destroys all idols.
You do not raise your voice, you do not defend yourself against these abusers, these pilates, these caesars.
NOTHING makes me angrier than the words “It must be the will of God”. As if you haven’t clearly shown us that which you desire. I am angered, furious at your lack of standing up for yourself at times. You just sit there on your beaten tree, breathing, gasping, blood in your eyes, and you ask for our forgiveness. Let me join you, in praying for this broken world, for I cannot bear to stand outside it another moment, and at least in joining you, i may find life and hope. If all I see is darkness, at least I know you gave your life that they might have life, and that your will is life, over against the chaos of death that has usurped your good creation.
Teach me to forget my anger and forgive, that we might have heaven on earth.
Let us bear this together, for your body is life, let me be found in your wounds, and let your wounds be found in my body. Teach us to rightly stand with you, not in power, but in weakness. Teach us to surrender our power, frustrate all our plans, show us we’re all pretentious, that we might experience the joy of being dependent children, utterly lost without you.
Pope Benedict XVI’s Meeting with Artists
November 23, 2009
This Past Saturday the Pope met with Artists in a special address in the Sistine Chapel.
I think you will find in the words that follow, an exhortation that many artists have been dying to hear. I know that as a charismatic, and a once ultra-Charismatic, i hated that we had no way to talk about beauty really. Worship services came in mass produced packages with the trappings of lights and smoke machines, all attempting to recreate something that the church has always been about and failing horribly. While comfortable, pretty, or even quaint, these scenes are not scenes of undying beauty, they will pass with cultural fads and something else will take their place.
It is my hope that you’ll take the time to read the whole address, since in it are words of profound insight, with quotes from some of my favorites, Hans Urs Von Balthasar, and Fyodor Dostoyevsky, and even a lesser favorite worthy of respect, Plato. The Holy Father launched this address on the 10th anniversary of Pope John Paul II’s address to artists, attempting to reestablish a stronger communication between the arts and the church and highlight the interdependence of each on the other.
It is my hope that these words encourage artists, theologians and the faithful, because they encouraged me, and have lifted my spirit.
Just some highlights from the address before I give you the full text:
“Unfortunately, the present time is marked, not only by negative elements in the social and economic sphere, but also by a weakening of hope, by a certain lack of confidence in human relationships, which gives rise to increasing signs of resignation, aggression and despair. The world in which we live runs the risk of being altered beyond recognition because of unwise human actions which, instead of cultivating its beauty, unscrupulously exploit its resources for the advantage of a few and not infrequently disfigure the marvels of nature.”
“Indeed, an essential function of genuine beauty, as emphasized by Plato, is that it gives man a healthy “shock”, it draws him out of himself, wrenches him away from resignation and from being content with the humdrum – it even makes him suffer, piercing him like a dart, but in so doing it “reawakens” him, opening afresh the eyes of his heart and mind, giving him wings, carrying him aloft”
“Too often, though, the beauty that is thrust upon us is illusory and deceitful, superficial and blinding, leaving the onlooker dazed; instead of bringing him out of himself and opening him up to horizons of true freedom as it draws him aloft, it imprisons him within himself and further enslaves him, depriving him of hope and joy.”
“What is capable of restoring enthusiasm and confidence, what can encourage the human spirit to rediscover its path, to raise its eyes to the horizon, to dream of a life worthy of its vocation – if not beauty?”
Here is the Full Text of the Pope’s address to artists:
Dear Cardinals,
Brother Bishops and Priests,
Distinguished Artists,
Ladies and Gentlemen,
With great joy I welcome you to this solemn place, so rich in art and in history. I cordially greet each and every one of you and I thank you for accepting my invitation. At this gathering I wish to express and renew the Church’s friendship with the world of art, a friendship that has been strengthened over time; indeed Christianity from its earliest days has recognized the value of the arts and has made wise use of their varied language to express her unvarying message of salvation. This friendship must be continually promoted and supported so that it may be authentic and fruitful, adapted to different historical periods and attentive to social and cultural variations. Indeed, this is the reason for our meeting here today. I am deeply grateful to Archbishop Gianfranco Ravasi, President of the Pontifical Council for Culture and of the Pontifical Commission for the Cultural Patrimony of the Church, and likewise to his officials, for promoting and organizing this meeting, and I thank him for the words he has just addressed to me. I greet the Cardinals, the Bishops, the priests and the various distinguished personalities present. I also thank the Sistine Chapel Choir for their contribution to this gathering. Today’s event is focused on you, dear and illustrious artists, from different countries, cultures and religions, some of you perhaps remote from the practice of religion, but interested nevertheless in maintaining communication with the Catholic Church, in not reducing the horizons of existence to mere material realities, to a reductive and trivializing vision. You represent the varied world of the arts and so, through you, I would like to convey to all artists my invitation to friendship, dialogue and cooperation.
Some significant anniversaries occur around this time. It is ten years since the Letter to Artists by my venerable Predecessor, the Servant of God Pope John Paul II. For the first time, on the eve of the Great Jubilee of the Year 2000, the Pope, who was an artist himself, wrote a Letter to artists, combining the solemnity of a pontifical document with the friendly tone of a conversation among all who, as we read in the initial salutation, “are passionately dedicated to the search for new ‘epiphanies’ of beauty”. Twenty-five years ago the same Pope proclaimed Blessed Fra Angelico the patron of artists, presenting him as a model of perfect harmony between faith and art. I also recall how on 7 May 1964, forty-five years ago, in this very place, an historic event took place, at the express wish of Pope Paul VI, to confirm the friendship between the Church and the arts. The words that he spoke on that occasion resound once more today under the vault of the Sistine Chapel and touch our hearts and our minds. “We need you,” he said. “We need your collaboration in order to carry out our ministry, which consists, as you know, in preaching and rendering accessible and comprehensible to the minds and hearts of our people the things of the spirit, the invisible, the ineffable, the things of God himself. And in this activity … you are masters. It is your task, your mission, and your art consists in grasping treasures from the heavenly realm of the spirit and clothing them in words, colours, forms – making them accessible.” So great was Paul VI’s esteem for artists that he was moved to use daring expressions. “And if we were deprived of your assistance,” he added, “our ministry would become faltering and uncertain, and a special effort would be needed, one might say, to make it artistic, even prophetic. In order to scale the heights of lyrical expression of intuitive beauty, priesthood would have to coincide with art.” On that occasion Paul VI made a commitment to “re-establish the friendship between the Church and artists”, and he invited artists to make a similar, shared commitment, analyzing seriously and objectively the factors that disturbed this relationship, and assuming individual responsibility, courageously and passionately, for a newer and deeper journey in mutual acquaintance and dialogue in order to arrive at an authentic “renaissance” of art in the context of a new humanism.
That historic encounter, as I mentioned, took place here in this sanctuary of faith and human creativity. So it is not by chance that we come together in this place, esteemed for its architecture and its symbolism, and above all for the frescoes that make it unique, from the masterpieces of Perugino and Botticelli, Ghirlandaio and Cosimo Rosselli, Luca Signorelli and others, to the Genesis scenes and the Last Judgement of Michelangelo Buonarroti, who has given us here one of the most extraordinary creations in the entire history of art. The universal language of music has often been heard here, thanks to the genius of great musicians who have placed their art at the service of the liturgy, assisting the spirit in its ascent towards God. At the same time, the Sistine Chapel is remarkably vibrant with history, since it is the solemn and austere setting of events that mark the history of the Church and of mankind. Here as you know, the College of Cardinals elects the Pope; here it was that I myself, with trepidation but also with absolute trust in the Lord, experienced the privileged moment of my election as Successor of the Apostle Peter.
Dear friends, let us allow these frescoes to speak to us today, drawing us towards the ultimate goal of human history. The Last Judgement, which you see behind me, reminds us that human history is movement and ascent, a continuing tension towards fullness, towards human happiness, towards a horizon that always transcends the present moment even as the two coincide. Yet the dramatic scene portrayed in this fresco also places before our eyes the risk of man’s definitive fall, a risk that threatens to engulf him whenever he allows himself to be led astray by the forces of evil. So the fresco issues a strong prophetic cry against evil, against every form of injustice. For believers, though, the Risen Christ is the Way, the Truth and the Life. For his faithful followers, he is the Door through which we are brought to that “face-to-face” vision of God from which limitless, full and definitive happiness flows. Thus Michelangelo presents to our gaze the Alpha and the Omega, the Beginning and the End of history, and he invites us to walk the path of life with joy, courage and hope. The dramatic beauty of Michelangelo’s painting, its colours and forms, becomes a proclamation of hope, an invitation to raise our gaze to the ultimate horizon. The profound bond between beauty and hope was the essential content of the evocative Message that Paul VI addressed to artists at the conclusion of the Second Vatican Ecumenical Council on 8 December 1965: “To all of you,” he proclaimed solemnly, “the Church of the Council declares through our lips: if you are friends of true art, you are our friends!” And he added: “This world in which we live needs beauty in order not to sink into despair. Beauty, like truth, brings joy to the human heart, and is that precious fruit which resists the erosion of time, which unites generations and enables them to be one in admiration. And all this through the work of your hands . . . Remember that you are the custodians of beauty in the world.”
Unfortunately, the present time is marked, not only by negative elements in the social and economic sphere, but also by a weakening of hope, by a certain lack of confidence in human relationships, which gives rise to increasing signs of resignation, aggression and despair. The world in which we live runs the risk of being altered beyond recognition because of unwise human actions which, instead of cultivating its beauty, unscrupulously exploit its resources for the advantage of a few and not infrequently disfigure the marvels of nature. What is capable of restoring enthusiasm and confidence, what can encourage the human spirit to rediscover its path, to raise its eyes to the horizon, to dream of a life worthy of its vocation – if not beauty? Dear friends, as artists you know well that the experience of beauty, beauty that is authentic, not merely transient or artificial, is by no means a supplementary or secondary factor in our search for meaning and happiness; the experience of beauty does not remove us from reality, on the contrary, it leads to a direct encounter with the daily reality of our lives, liberating it from darkness, transfiguring it, making it radiant and beautiful.
Indeed, an essential function of genuine beauty, as emphasized by Plato, is that it gives man a healthy “shock”, it draws him out of himself, wrenches him away from resignation and from being content with the humdrum – it even makes him suffer, piercing him like a dart, but in so doing it “reawakens” him, opening afresh the eyes of his heart and mind, giving him wings, carrying him aloft. Dostoevsky’s words that I am about to quote are bold and paradoxical, but they invite reflection. He says this: “Man can live without science, he can live without bread, but without beauty he could no longer live, because there would no longer be anything to do to the world. The whole secret is here, the whole of history is here.” The painter Georges Braque echoes this sentiment: “Art is meant to disturb, science reassures.” Beauty pulls us up short, but in so doing it reminds us of our final destiny, it sets us back on our path, fills us with new hope, gives us the courage to live to the full the unique gift of life. The quest for beauty that I am describing here is clearly not about escaping into the irrational or into mere aestheticism.
Too often, though, the beauty that is thrust upon us is illusory and deceitful, superficial and blinding, leaving the onlooker dazed; instead of bringing him out of himself and opening him up to horizons of true freedom as it draws him aloft, it imprisons him within himself and further enslaves him, depriving him of hope and joy. It is a seductive but hypocritical beauty that rekindles desire, the will to power, to possess, and to dominate others, it is a beauty which soon turns into its opposite, taking on the guise of indecency, transgression or gratuitous provocation. Authentic beauty, however, unlocks the yearning of the human heart, the profound desire to know, to love, to go towards the Other, to reach for the Beyond. If we acknowledge that beauty touches us intimately, that it wounds us, that it opens our eyes, then we rediscover the joy of seeing, of being able to grasp the profound meaning of our existence, the Mystery of which we are part; from this Mystery we can draw fullness, happiness, the passion to engage with it every day. In this regard, Pope John Paul II, in his Letter to Artists, quotes the following verse from a Polish poet, Cyprian Norwid: “Beauty is to enthuse us for work, and work is to raise us up” (no. 3). And later he adds: “In so far as it seeks the beautiful, fruit of an imagination which rises above the everyday, art is by its nature a kind of appeal to the mystery. Even when they explore the darkest depths of the soul or the most unsettling aspects of evil, the artist gives voice in a way to the universal desire for redemption” (no. 10). And in conclusion he states: “Beauty is a key to the mystery and a call to transcendence” (no. 16).
These ideas impel us to take a further step in our reflection. Beauty, whether that of the natural universe or that expressed in art, precisely because it opens up and broadens the horizons of human awareness, pointing us beyond ourselves, bringing us face to face with the abyss of Infinity, can become a path towards the transcendent, towards the ultimate Mystery, towards God. Art, in all its forms, at the point where it encounters the great questions of our existence, the fundamental themes that give life its meaning, can take on a religious quality, thereby turning into a path of profound inner reflection and spirituality. This close proximity, this harmony between the journey of faith and the artist’s path is attested by countless artworks that are based upon the personalities, the stories, the symbols of that immense deposit of “figures” – in the broad sense – namely the Bible, the Sacred Scriptures. The great biblical narratives, themes, images and parables have inspired innumerable masterpieces in every sector of the arts, just as they have spoken to the hearts of believers in every generation through the works of craftsmanship and folk art, that are no less eloquent and evocative.
In this regard, one may speak of a via pulchritudinis, a path of beauty which is at the same time an artistic and aesthetic journey, a journey of faith, of theological enquiry. The theologian Hans Urs von Balthasar begins his great work entitled The Glory of the Lord – a Theological Aesthetics with these telling observations: “Beauty is the word with which we shall begin. Beauty is the last word that the thinking intellect dares to speak, because it simply forms a halo, an untouchable crown around the double constellation of the true and the good and their inseparable relation to one another.” He then adds: “Beauty is the disinterested one, without which the ancient world refused to understand itself, a word which both imperceptibly and yet unmistakably has bid farewell to our new world, a world of interests, leaving it to its own avarice and sadness. It is no longer loved or fostered even by religion.” And he concludes: “We can be sure that whoever sneers at her name as if she were the ornament of a bourgeois past – whether he admits it or not – can no longer pray and soon will no longer be able to love.” The way of beauty leads us, then, to grasp the Whole in the fragment, the Infinite in the finite, God in the history of humanity. Simone Weil wrote in this regard: “In all that awakens within us the pure and authentic sentiment of beauty, there, truly, is the presence of God. There is a kind of incarnation of God in the world, of which beauty is the sign. Beauty is the experimental proof that incarnation is possible. For this reason all art of the first order is, by its nature, religious.” Hermann Hesse makes the point even more graphically: “Art means: revealing God in everything that exists.” Echoing the words of Pope Paul VI, the Servant of God Pope John Paul II restated the Church’s desire to renew dialogue and cooperation with artists: “In order to communicate the message entrusted to her by Christ, the Church needs art” (no. 12); but he immediately went on to ask: “Does art need the Church?” – thereby inviting artists to rediscover a source of fresh and well-founded inspiration in religious experience, in Christian revelation and in the “great codex” that is the Bible.
Dear artists, as I draw to a conclusion, I too would like to make a cordial, friendly and impassioned appeal to you, as did my Predecessor. You are the custodians of beauty: thanks to your talent, you have the opportunity to speak to the heart of humanity, to touch individual and collective sensibilities, to call forth dreams and hopes, to broaden the horizons of knowledge and of human engagement. Be grateful, then, for the gifts you have received and be fully conscious of your great responsibility to communicate beauty, to communicate in and through beauty! Through your art, you yourselves are to be heralds and witnesses of hope for humanity! And do not be afraid to approach the first and last source of beauty, to enter into dialogue with believers, with those who, like yourselves, consider that they are pilgrims in this world and in history towards infinite Beauty! Faith takes nothing away from your genius or your art: on the contrary, it exalts them and nourishes them, it encourages them to cross the threshold and to contemplate with fascination and emotion the ultimate and definitive goal, the sun that does not set, the sun that illumines this present moment and makes it beautiful.
Saint Augustine, who fell in love with beauty and sang its praises, wrote these words as he reflected on man’s ultimate destiny, commenting almost ante litteram on the Judgement scene before your eyes today: “Therefore we are to see a certain vision, my brethren, that no eye has seen, nor ear heard, nor the heart of man conceived: a vision surpassing all earthly beauty, whether it be that of gold and silver, woods and fields, sea and sky, sun and moon, or stars and angels. The reason is this: it is the source of all other beauty” (In 1 Ioannis, 4:5). My wish for all of you, dear artists, is that you may carry this vision in your eyes, in your hands, and in your heart, that it may bring you joy and continue to inspire your fine works. From my heart I bless you and, like Paul VI, I greet you with a single word: arrivederci!
Here’s an image just to remind you of the context of these words: 
Imagination and Suffering Christianly
November 19, 2009
We can say this:
At the center of all the ugliness in the world is a sacrifice that calls us to change the way we think about things. There is for us a man on a cross, who shows us where God has entered into our pain, our suffering our emotional state, and said “enough.”
God has not chosen to abstain from us, and to stand aloof, the cross is where we know that God is on our side. An ugly world stood in need, and we “held him of no account.” (Isa. 53:3) Jesus shows us how God imagines the future, through the fact of his resurrection, God’s imagination about our world is one that sets all things right, that faces the realities we face, and stands alongside us.
We have one who stands in our midst alongside us, showing us that this suffering is not the end, that our suffering is not the end. There is a man who has entered into the heart of where the world feels pain, and he is calling us to go there too. He has asked us to enter his life, his teachings, and take upon ourselves his yoke, his burden, his love.
Imagination is not about feeling peppy, but rather is an active engagement in thinking creatively about reconciliation. Christian imagination is as much about ecstatic joy as it is about ecstatic engagement with the reality of suffering. While it leads us to aesthetic beauty and works of art, it leads us into the shadow of the cross, it is from the sufferings of Our Lord that we learn to see the world rightly. Christians do not assume we see reality, rightly, in fact we must assume that learning to see reality rightly is the first task of our imagination.
The Christian Imagination calls us to enter into that same place where the world feels pain, and actively imagine what the love of God looks like there and to set about the task of expressing and ushering in that love, be it in architecture, music, art, sculpture, painting, reflection, philosophy, theology, conversation, ecology, and everything else.
6 Things American Christians Must Remember
November 17, 2009
6 Things American Christians must remember.
America is not the church, and we cannot swear unquestioned allegiance to this nation without compromising what it means to be Christians. Power never conquers, it consumes from within. Rome, Germany, America. These are all empires who have extended beyond their reach with tyrannical power, and it has ultimately led to their downfall.
1) Power overstretched becomes a means of oppression everywhere.
Rome’s tyranny imploded on it, when the very people that it had attempted to conquer were brought in as mercenaries to fight against the conquering barbarians. Nazi Germany licensed the gestapo as a police force who became executioners of Poles and Serbs abroad, and when brought back home quickly caused the deterioration of Nazi support from within by terrorizing their own people. America has forgotten that what goes around, comes around. We may feel that the war is something we read about online, or watch on television, but its effects are all around us here, as we live in an increasingly militarized state. The oppression we’ve imposed on foreign nations is beginning to show up here at home in surprising and increasingly problematic ways.
2) We should be focused more on democracy and peace than giving in to the war cult.
We’ve surrendered our focus on democracy, on fair representation and on a better society to live in fear. We want to launch a coalition against terror, when we fail to realize we’re perpetuating the terror we seek to eliminate by by allowing our military forces to over extend their reach and let their means outstrip their ends. Christians everywhere need to remember that history has never looked favorably on Christians supporting war, and we too must remember that our first loyalty is to the church, a community of peace, justice and self-emptying love. Christians do not live in fear of their enemies, but know that God has already set us at peace, and made possible a community that seeks the best of even its destroyers.
3) War is not the Christian way.
We have to remember that war is a power of the world. The cross calls us to a very different life. It calls us to a life of cross bearing discipleship. Whether you are a pacifist or a just war supporter it makes little difference to the facts that this war is not just, it never has been, and it never will be. Whether you care to support peace or not makes little difference to the fact that it is the Christian way and the early church shows us most clearly what it means to life in a society at war. We are a people who are in every nation, yet give unquestioned allegiance to none. We are a people who transcend nations, and there are Christians in the countries we’ve come to occupy who might be suffering at our imposition upon their homes, their lands, their lives.
4) The war on terror is not a war on Islam.
America is not at war with Islam. Some people see the recent explosion of Islam as a problem, and see this war as a way of limiting the spread of its influence. This is not a religious war, it’s about expanding the power of our national influence. There’s nothing sacred about this war. Further, we have American Muslims fighting their middle-eastern counterparts. We cannot as Christians allow ourselves to be comfortable with the idea that the killing of the “extremisits” is the right way to go about things for the proper Christianizing of the Middle East. We should never be comfortable with the use of coercive force to spread the Christian message of peace. That’s like explaining chastity with pornography. You cannot spread a message of the loving redemption of the world God created if your hands and lips are stained with the blood of your enemies.
5) America will end.
This may come as a shock to some of my readers, but America will end. Every empire in history has ended, been reimagined, recultured, exported, subverted, destroyed or forgotten. As Americans we must remember that America is not the church, and America will end. We live in America, but America is not God’s representative on earth, nor is it our job to make that so. Our kingdom is not America, nor America’s well being, we live for another kingdom, the community of the Crucified God. Ultimately we live for a world where justice, peace and mercy are normative, and we must live lives that act accordingly now, because this is how our kingdom flourishes, even in the midst of uncertainty, oppression and bloodshed.
“I know men and I tell you that Jesus Christ is no mere man. Between Him and every other person in the world there is no possible term of comparison. Alexander, Caesar, Charlemagne, and I have founded empires. But on what did we rest the creation of our genius? Upon force. Jesus Christ founded His empire upon love; and at this hour millions of men would die for Him.”-Napoleon
6) We must be Christians and love our enemies.
Our task is to live lives that make sense of the church, because our story does not begin with the declaration of independence, but with the Trinity’s self glorifying love. Our story begins in being image bearing creatures who recognize God in and through our neighbor, as well as our enemy.
Christians are the people who can acknowledge that the neighbor is the enemy, and we must love our enemy as ourselves. We must pray for them in love, knowing that Christ is their Lord already, and we must treat them as such. We must weep with them and for them, we must empathize with the tortures they have suffered, and acknowledge we’ve created societies that speak and trade in blood. We as Christians must repent for the bloodshed of our nation, and cry out for those oppressed by our occupation of their lands, we must pray for those in Guantanamo Bay, and those who have been mercilessly tortured by our agencies.
If we cannot shed tears for our enemies and weep for the oppressed, we must ask ourselves whether we have truly come to know the love of Christ, and recognized the deep and unrelenting call to peace that Jesus sets before us. We must ask whether we know how to abandon our interests, and pursue love and peace, justice and mercy above all else.
My Thoughts on Veteran’s Day
November 12, 2009
It’s an abomination to thank anybody for murder. Whether they are soldiers in this country or any other. Murder is murder. Our exalted rhetoric about the defense of freedom is an abomination, it’s horrific. I do not thank them, not as veterans of this nation, because more than words of thanks they need love from a community that hopes they shall be set free from their burden someday. As humans I stand with them enduring the weight of the evil that comes with killing in the name of a nation state, and its purported ideas of freedom, justice and free consumerism for all. They have fought for empty ideals, vanity and desolation. They are the ones who must live with blood on their hands, and we are responsible too for the blood which they shed. We are guilty of creating societies where bloodshed is praised as heroism, and where the murderous are exalted. We should not celebrate as much as weep. The taking of a single life does infinite damage to the psyche.
St. Mark the Monk
October 21, 2009
“Unless a man gives himself entirely to the Cross, in a spirit of humility and self-abasement; unless he casts himself down to be trampled underfoot by all and despised, accepting injustice, contempt and mockery; unless he undergoes all these things with joy for the sake of the Lord, not claiming any kind of human reward whatsoever – glory or honor or earthly pleasures – he cannot become a true Christian”
This is a quote by the Orthodox Father, St. Mark the Monk. I love this quote, and I think it rings true. Christianity is the process by which we learn to renounce all things save One, and to will this one thing is the purity which we all seek.
Body and Character in Luke and Acts
September 1, 2009
Body and Character in Luke and Acts by Mikeal C. Parsons
Mikeal Parsons has illuminated ancient attitudes about the body and its relation to morality in the ancient world that are fascinating and seem to on the whole make more sense of the biblical texts he has chosen to illuminate than other conjectures such as the immediate presupposition of inauthenticity. Parsons has shown continuity with the texts being examined and Luke’s overall message convincingly, while not completely persuaded, I feel that Parsons has done a great job of bringing an orthodox view of the text as plausible back into the academic arena through a brief and scholarly study which presents alternative views of the text informed by a largely ignored area in terms of biblical scholarship.
For those who are unfamiliar with the term physiognomy, it is an ancient pseudo-science about the relation of the physical body to the perception of character, namely ideal bodies were inclined to ideal morals and disabled or deformed persons were considered to have flawed morality corresponding to their physical appearance. Parsons has shown how this consciousness was permeating the ancient world’s perception of literary characters beginning with Greek poetry, and its use in making moral judgments about literary figures. He parallels this to Luke’s presentation of the four characters he has chosen to examine in his inspection of the use and subversion of .
Parsons has chosen four pericopes to cover in his short but penetrating study, the story of the bent woman, Zacchaeus, the man lame from birth, and the Ethiopian eunuch. He provides keen insight to each of these stories, and informs us of how these characters might have been received by Luke’s audience before he turns the tables on the audience by overthrowing the general pathos which their stereotypes have taught them to adopt.
It is interesting to see the way that the “physiognomic consciousness” plays into these stories and seems a plausible way that the authorial audience would have seen the text. I don’t know what my ultimate reservation is, but I feel that my suspicion of the work might lie in its lack of theological finale. While touching on various topics I thought he might delve into more, Parsons refrains, perhaps to keep the work objective, perhaps because he works best as an expositor, but I feel that the conclusions that could be drawn from the work were not present sufficiently, and left me curious to see more. Instead I was left with a brief epilogue whose last two sentences were a wonderful conclusion yet, seemingly unfinished. Although Parsons has invited theological inquiry based on his study, which I hope to see some of soon.
The book also has great virtue though, as a work which forces us to reconsider our own biases of morality based on outward appearance, and we are reminded that the early Christian community is radical, because it includes the weak, the frail, the outcast and the judged. In the formation of theology, especially moral theology in the advent of this century, it is an important work in historical ethics of the Christian community.
I feel that what was important to my observation and inquiry in the characters presented in the stories Parsons presented was the way healing played a role in the stories, because it has different effects on the person being healed at each turn. The bent woman is obviously healed of a disease which afflicted her 18 years, and is physically healed from what has made her outcast, and the same goes for the lame man. While the connecting factor between these two is a healing and common theme of weakness and morally dubious character, which is interesting in itself, my initial concern is with Zacchaeus and the Ethiopian Eunuch.
If Parsons is right about Zacchaeus being a dwarf by congenital defect, Jesus does not restore him to the community by their standards of what a moral person looks like, which while seemingly obvious is still significant. This means that Jesus in Luke’s narrative does not see dwarfism as barrier to the kingdom of God, nor does he see it as a lack of wholeness. For someone developing a theology disability or deformity, it is highly significant that this is the case. For Luke’s Jesus is a healing Jesus, and I think it is noteworthy that Luke’s Jesus does not make Zacchaeus taller. If we look at the text with its physiognomic dimensions Jesus challenges Zacchaeus to become magnanimous in character, which would seem difficult to the people who underrated him as a person small of character due to his physical stature. Jesus also calls him a son of Abraham, Jesus sees Zacchaeus as part of the eschatological community by virtue of the choice which he has made to bring restitution to his failures. His salvation is not merely a matter of his being good now, but is a reinterpretation of his social status as well, making him equal in the community of Jesus’ followers despite his physical differences.
While to us this may seem commonplace, or to be assumed, it is highly uncharacteristic of ancient religions at large and specifically uncharacteristic of Judaism. While it is noted that deformed persons had a popular place in the Roman culture it was as objects of ridicule, collected like trophies by the emperors Domitian and Nero, and Augustus even bought a congenitally short small person as a pet for his niece.
While Jesus encounters him, he makes no move to “heal” Zaccheus as in cure him of his congenital defect, even though in other cases he does, such as the man blind from birth. This raises interesting questions.
The Eunuch as well raises some interesting questions, if he is a castrated or sexually mutilated man is not restored sexually by baptism or by extreme unction as he is brought into the community through baptism which is just as important as if he had been. While he is through Parson’s argument given a new place in the community and a new honor in Christ, he is not healed at least in the sense of a physical restoration of function, and though the audience is forced to reconsider his character, his role in the community is reinterpreted by the early Christian community as one who is ritually pure.
The Christian polemic against the temple cult and a new and radical inclusivism are only part of the whole picture of the moral formation which Luke is using through these illustrations.
It seems that in light of physiognomy early Christians reject the assumptions of morality as inherently tied to physical appearance, which was not to remain so historically as some prominent Christian leaders that Parsons notes were persuaded by physiognomic interests. It might even explain what we moderns think absurd theological considerations when we read about some church theologians and the way in which they think Christians should laugh properly in society.
In conclusion, I feel that this book is important, and should be read by anyone with an interest in the Abrahamic community, healing, or outcasts as themes in Lukan literature. I would like to see the implications these texts have for Christian healing and a theology of disability. While books on the subject of disability and theology are coming from every angle and exploding in the contemporary interest, I think it’s of great value to examine why Jesus healed the way he did and what healing might have been in Christ’s idea of His mission. It seems important to me to know whether Jesus had a particular physiognomic concern, or whether he had a moral or ontological concern for the people he healed. While it would be largely speculation, the text might provide some insights, though we must allow that it was not built in such a way as to answer that question directly. I’d like to do some more work reading Luke-Acts and commentators on the text since it is of great interest to me.
The inner life of the trinity as love can be recognized by us as love only through our participation in that life as it already is and draws us into it. To know the inner life of the Trinity requires that we participate already in the kenotic and self disclosing Other seeking love of the Trinity. There is no epistemology apart from participation. To believe otherwise is blasphemy. Only love understands itself, and only love can disclose itself, and it shall only disclose itself to love when speaking in the epistemological framework. Love is the truest reality that has been revealed to humanity, and it is inescapable. To be a Christian one must believe in and be shaped by their understanding of Absolute Love. In concrete reality love will overpower even non-love, but it will only do so by conforming non love into love through a Taboric experience, through a transfiguration that in the self disclosure draws non love into encounter and thus opens its eyes. Love is always the apriori, and it will always necessarily apprehend and invite the situation before releasing itself and its disclosure into the encounter with the Other. -Eli
Interactions
September 11, 2008
I breathe you in, your fingertips scratch across my lips like hands lifted high in prayer, I see you there, waiting.
Please don’t hold this against me, I feel something changing. Silence is waning, and we are waiting. I feel, your hand in mine again and it all depends, on breathing.
I can’t flourish in this half breath, with this canopy of fading embers being all that remains.
What remains is just a construct, a shadow, forgotten holidays and high holy days.
Break it all down into simplest terms, don’t forsake me now.
Let’s make a few of you and me, but where do we begin?
Don’t deserve me now, let’s get out somewhere different than where we were before.
Don’t tell me you never knew, it’s rising like prayers in our midst, as your hand collides with mine and your love meets my eyes.
Reflecting the endless interlude between presence and absence, i feel the tension of our union
Blessed Mecca, return to me my innocence, my wanderings in your presence, as I cross these streams in the desert, the sands shift underneath my feet, I am searching.
I am drunk with this wine and searching for a mirror, my life is in my eyes and the light behind them streams out like fresh water, whispering across the face of these arid dunes.
Prayers rise up like the ashes of a funeral pyre, calling out, my heart longs for return, my feet take me further, I feel closer, you are closer.
My daggers cross themselves before me like stars in my hands, let these lights in my hands rend the heavens, and tear down the veils.
The coldest night brings the warmest hearts, join together when the coldest man grabs his altar, and spills himself upon it.
Remember my words and echo yourself in their reflection, repetition makes for meditation.
Meet my gaze and drift away if you wish, but don’t say i never tried, don’t deserve me now, don’t desert me now.
It all depends on breathing, and i feel your fingertips scratching prayers once again, into these praying lips.
What Does the Resurrection of the Son of God Mean Today?
September 2, 2008
I was thinking about my Christian experience today, and as I was considering the implications of a certain emotional state, I got to thinking about the Victory of God in Jesus, and the idea that despite all things God has won a victory in this world and that ultimately, I am participating in that victory.
Sure, today I am not in the best state, but I have hope. Hope reaches into me, to lead me towards the victory of God. I am the essence of all consciousness, being constantly resurrected from a fallen state. I am baptized into the body of the Risen Lord, and united with him by one Spirit, made one flesh with him by that same Spirit. I am not forsaken, but am embraced by this beloved who ushers me into his presence with glee, as I approach with trembling reverence.
My tears are merely prayers in a different language. In them is the hope of glory, as true suffering somehow brigs true redemption. Our ideals are not God’s ideals. The Risen Lord shows us that in suffering is the cosmos replaced where the chaos once was. Idealism is ultimately backwards, and in those ideals I am further from the Resurrection of the Son of God than closer.
So it occurred to me that in order to truly experience the meaning of this great and glorious resurrection, it means that I must not shed the ideas that I have thought were ideal, I must also embrace those which are seemingly backwards to me.
Suffering is not the emptiness of dejection, though that is experienced, it shall prove to be more integral to the resurrection of my person than should I never have suffered. The world, I can’t speak for, but for me, for Eli, this suffering is my invitation into God’s plan of redemption.
So, as I enter into the lower depths, I know that my war with the forces of evil is not in vain, as I leave behind those things which would lead me from the narrow path, I find pleasure in the backwards ideals of God. Sipping a Lady Grey tea blend and wondering about all this gives me pleasure, and as I pursue my future, I realize that in time I will get there, regardless. Today is a day, tomorrow shall be another, and ultimately, it is completed in such a way that my purpose will be accomplished, I have faith and hope that the path set before me is not in vain and that which I feel called to complete will be completed because I have dedicated myself to it and to enjoying today.
I am enjoying beauty, the joys of mentoring, and being mentored, the beauty of togetherness, the bliss of separation, the ebb and flow of presence and absence.
Beautiful.
As you read this, I don’t think you’ll understand half of what was said here this day, and for that I am sorry.
I don’t blame anyone or anything for these things which we pass. We are all journeying towards something, and I am whole in the redemption of my body. I am whole in my expectation that this is going to be well.
So, brothers and sisters, my little children, remember that suffering causes the redemption of things outside ourselves, and in the end, it is not about how God is going to save me. It’s about how God is going to save the universe through me.
Love one another, as I remember to do the same. Hold fast. Stand strong.
The Resurrection shall live through me today, and in this we are well pleased.


