Body and Character in Luke and Acts
September 1, 2009
Body and Character in Luke and Acts by Mikeal C. Parsons
Mikeal Parsons has illuminated ancient attitudes about the body and its relation to morality in the ancient world that are fascinating and seem to on the whole make more sense of the biblical texts he has chosen to illuminate than other conjectures such as the immediate presupposition of inauthenticity. Parsons has shown continuity with the texts being examined and Luke’s overall message convincingly, while not completely persuaded, I feel that Parsons has done a great job of bringing an orthodox view of the text as plausible back into the academic arena through a brief and scholarly study which presents alternative views of the text informed by a largely ignored area in terms of biblical scholarship.
For those who are unfamiliar with the term physiognomy, it is an ancient pseudo-science about the relation of the physical body to the perception of character, namely ideal bodies were inclined to ideal morals and disabled or deformed persons were considered to have flawed morality corresponding to their physical appearance. Parsons has shown how this consciousness was permeating the ancient world’s perception of literary characters beginning with Greek poetry, and its use in making moral judgments about literary figures. He parallels this to Luke’s presentation of the four characters he has chosen to examine in his inspection of the use and subversion of .
Parsons has chosen four pericopes to cover in his short but penetrating study, the story of the bent woman, Zacchaeus, the man lame from birth, and the Ethiopian eunuch. He provides keen insight to each of these stories, and informs us of how these characters might have been received by Luke’s audience before he turns the tables on the audience by overthrowing the general pathos which their stereotypes have taught them to adopt.
It is interesting to see the way that the “physiognomic consciousness” plays into these stories and seems a plausible way that the authorial audience would have seen the text. I don’t know what my ultimate reservation is, but I feel that my suspicion of the work might lie in its lack of theological finale. While touching on various topics I thought he might delve into more, Parsons refrains, perhaps to keep the work objective, perhaps because he works best as an expositor, but I feel that the conclusions that could be drawn from the work were not present sufficiently, and left me curious to see more. Instead I was left with a brief epilogue whose last two sentences were a wonderful conclusion yet, seemingly unfinished. Although Parsons has invited theological inquiry based on his study, which I hope to see some of soon.
The book also has great virtue though, as a work which forces us to reconsider our own biases of morality based on outward appearance, and we are reminded that the early Christian community is radical, because it includes the weak, the frail, the outcast and the judged. In the formation of theology, especially moral theology in the advent of this century, it is an important work in historical ethics of the Christian community.
I feel that what was important to my observation and inquiry in the characters presented in the stories Parsons presented was the way healing played a role in the stories, because it has different effects on the person being healed at each turn. The bent woman is obviously healed of a disease which afflicted her 18 years, and is physically healed from what has made her outcast, and the same goes for the lame man. While the connecting factor between these two is a healing and common theme of weakness and morally dubious character, which is interesting in itself, my initial concern is with Zacchaeus and the Ethiopian Eunuch.
If Parsons is right about Zacchaeus being a dwarf by congenital defect, Jesus does not restore him to the community by their standards of what a moral person looks like, which while seemingly obvious is still significant. This means that Jesus in Luke’s narrative does not see dwarfism as barrier to the kingdom of God, nor does he see it as a lack of wholeness. For someone developing a theology disability or deformity, it is highly significant that this is the case. For Luke’s Jesus is a healing Jesus, and I think it is noteworthy that Luke’s Jesus does not make Zacchaeus taller. If we look at the text with its physiognomic dimensions Jesus challenges Zacchaeus to become magnanimous in character, which would seem difficult to the people who underrated him as a person small of character due to his physical stature. Jesus also calls him a son of Abraham, Jesus sees Zacchaeus as part of the eschatological community by virtue of the choice which he has made to bring restitution to his failures. His salvation is not merely a matter of his being good now, but is a reinterpretation of his social status as well, making him equal in the community of Jesus’ followers despite his physical differences.
While to us this may seem commonplace, or to be assumed, it is highly uncharacteristic of ancient religions at large and specifically uncharacteristic of Judaism. While it is noted that deformed persons had a popular place in the Roman culture it was as objects of ridicule, collected like trophies by the emperors Domitian and Nero, and Augustus even bought a congenitally short small person as a pet for his niece.
While Jesus encounters him, he makes no move to “heal” Zaccheus as in cure him of his congenital defect, even though in other cases he does, such as the man blind from birth. This raises interesting questions.
The Eunuch as well raises some interesting questions, if he is a castrated or sexually mutilated man is not restored sexually by baptism or by extreme unction as he is brought into the community through baptism which is just as important as if he had been. While he is through Parson’s argument given a new place in the community and a new honor in Christ, he is not healed at least in the sense of a physical restoration of function, and though the audience is forced to reconsider his character, his role in the community is reinterpreted by the early Christian community as one who is ritually pure.
The Christian polemic against the temple cult and a new and radical inclusivism are only part of the whole picture of the moral formation which Luke is using through these illustrations.
It seems that in light of physiognomy early Christians reject the assumptions of morality as inherently tied to physical appearance, which was not to remain so historically as some prominent Christian leaders that Parsons notes were persuaded by physiognomic interests. It might even explain what we moderns think absurd theological considerations when we read about some church theologians and the way in which they think Christians should laugh properly in society.
In conclusion, I feel that this book is important, and should be read by anyone with an interest in the Abrahamic community, healing, or outcasts as themes in Lukan literature. I would like to see the implications these texts have for Christian healing and a theology of disability. While books on the subject of disability and theology are coming from every angle and exploding in the contemporary interest, I think it’s of great value to examine why Jesus healed the way he did and what healing might have been in Christ’s idea of His mission. It seems important to me to know whether Jesus had a particular physiognomic concern, or whether he had a moral or ontological concern for the people he healed. While it would be largely speculation, the text might provide some insights, though we must allow that it was not built in such a way as to answer that question directly. I’d like to do some more work reading Luke-Acts and commentators on the text since it is of great interest to me.
Sunrise Girl
February 27, 2009
Sunrise girl, passing from one morning to another, a morning caught in his arms, only to leave the impression of beauty before fading into another memory in another recollection, preempting the emptiness to be left behind. The void though is a fond one, an emptiness that is a transfigurative one, leaving a light behind it, even if only for a moment. It is a light that leaves longing on the lips. Sunrise girl you enlighten the world, but leave it in shadow when you leave, the day you leave behind is the longing of twilight.
You bring the morning sun, you lay out the clouds and scatter them to the four winds that they might carry them in the shapes of dreams and revelations, and they carry your impression, approved by your charming whisper, carried into the early twilight before the breaking of dawn
You bring the day, but you bring it at the expense of twilight, of lasting ignorance, and in shedding light on something less than alive, you yourself have brought its own death before it. Your light is a terror to those who are asleep, those who would have remained if not for your touch
With every sunrise that you bring, you bring your own death keeper of dreams. You disseminate them among the weary, and in instilling hope into the weakened, betray your own hopelessness as you bring dreams out of shadow. With the evanescing shade comes reality like a putrid corpse in the form of sunrise before the perceptions of an unwitting night.
Haunted by the memory of sleepless nights, by broken hearts left in the recollection of your tears, the guilt you run from sunrise after sunrise, enlightening and illumination after illumination makes your countenance darker and darker. Feeling the pain just as equally as they do, knowing the subtle sense of loss that comes as the day brings commonality back into perception. As your dawn casts them into even deeper shadows.
Mortality blurs in your memory and you become cold, as the mirror shows you less and less of yourself, and more and more of a citadel, a fortress to protect a bleeding heart enshrined on a throne of tears, the weakness of which causes such great strength, inverted, perverted, true. The cold icy sting of your eyes, protects your weakened gasps, as you stand tall you rasp for rattling breaths in your dissatisfied and weary lungs, a mighty fortress with weakened and empty halls, derelict and void. A silent citadel seemingly forsaken, yet blooming with life.
Sunrise girl looks into herself and sees death, yet her touch blooms with life. She looks at the effects of her own impartations of light and wonders whether she has scorched the earth beneath her, but she cannot judge for in seeing her path she is blinded to what it truly looks like, mindless of what truly exists beyond her perceptions.
Sunrise girl, bathed in light, touched in darkness, look into this mirror, meeting my eyes we assume it’s just another sunrise, another fleeting escape another sense of loss, another moment in another set of arms. It’s not. The eternal sunrise begins tonight, it ends now. We’re the same, the coin’s sides are the illusion, it’s just like us to make our own luck. It’s just like us to make our own way, but we know that already.
You call me out into the light, you dance your dance in another direction, but as children of the mind, we can bear to do no other. Two sides of the same thing, one perceives light, the other darkness and both are right, it’s twilight after all.
Your eyes meet mine, and I see a mirror, you see a mirror, we look into this moment and perceive an event that makes us tremble. We’re not like this, not anymore. Sunsets and shades of dusk are not our beginnings, not anymore. Cloudfall and storms, we welcome them, but they welcome us no more.
This event, it shakes and shapes us. You’re afraid, sunrise girl, afraid that sunrise might go on into everlasting day, into everlasting light, into an Eden you can’t anticipate.
Go into that Eden, and don’t knock at the edges of the River Styx anymore.
Can I just get this off my chest?
I dunno, going to the monastery this break really really fucked with me, head and body, mind and spirit. I feel like i’ve had a few too many screwdrivers and none of it was worth the drinking.
But I also feel like I got drunk on something substantial, and am inebriated with longing to return to the simple and unburdened life of the monastic way. Forsaking all things, and living a life in service to God and the world through prayer.
It was a challenging experience and I’m not sure I was able to really appreciate it fully because of the emotional baggage I carried with me there that i needed to sort through before i could find any semblance of rest. I haven’t slept well since that first night there. I did all my crying on the way over there, and was just exhausted by the end of the first night.
I feel like a shell of a person some nights, and i feel as if since i returned i’ve been living half aware and half exhausted, and fully guilty.
I don’t feel like I’m at all present in or even really observing my life. I feel as if all my energy is going towards incessant worrying and all i can do is sit back and wait until my whole world comes crashing down around me. I am honestly afraid, i’m afraid of what I’ll do with myself. Afraid of what she means to me. Afraid of what I mean to myself. Afraid that I’m falling too comfortably into orthodoxy and receding into mother church for the comforts of her ability to supply those answers which I need without being brave enough to seek them on my own. Afraid that I’m not devoted enough to Mary, and simultanesouly afraid I’m too devoted.
I’m afraid i’m too flirtatious, but not manly enough. I’m afraid that i am a shell of what it means to be a man even though i love it when she touches my beard.
I am restless and in awe at my own ability to choose failure and defeat when sometimes i’ve so clearly reached after success and managed to grasp it. I feel i have fallen in some inexplicable way and become disoriented in the midst of my sudden lucidity about myself and the world.
I’m not at all sure what to do with myself, and my once glorious intents have fallen to the wayside as I consider what i mean, and what my existence means.
I’m afraid to reach out and just be, i’m afraid to move on, afraid to hold on. I don’t know what the hell to do and i’m everywhere surrounded by fears, and undergoing the sufferings of love, those tender sufferings that wound most truly.
My eyes are swollen with restlessness, and my mind is awake in ever increasing streams of inaccessible consciousness.
What am I?
Who am I?
I am not sure how i would even begin to address these questions, or make satisfactory expiation for the blood they require in seeking an answer.
I am not as adventurous as I once thought myself to be, and feel as if I carry this unpronounceable weight of duty and devotion.
And I feel the part of the unloved child in the midst of all this. This is not a plea for attention, just the reality of me. I feel as if whether i am present or absent makes no difference to most. I feel like I am unlovely and awkward, the boy who wants to be beautiful, the man who longs to be told he is special to someone, somewhere.
My relationship with my mom has fallen into a deadening ritual of hellos and goodbyes that are interspersed with short polite withdrawn conversations. She can feel the change in me, i feel it in myself, and I am not aware of if there is a way to make peace. I am questioning my draw towards orthodoxy and wondering if it is out of childish fear, or out of an acknowledgement of truth in fullness that is drawing me.
I feel my own death impending, looming, but simultaneously endlessly distant.
I hate being the accomplished student. I feel as if I’m nothing else. I wish that Eli was more than just a paper writer, more than a name on the lips of the inquisitive or the disgusted. I wish Eli was the name on the lips of a lover, of a friend calling to check up on me, a name in the back of a mind, at the heart of a pleasant memory. I feel like everywhere i go i leave death and tragedy in my wake, and where it’s not there yet, it will be.
I feel overcommitted and under-appreciated, overtaxed and underpaid, mostly aloof even though I long so badly to be connected.
As I sit here I make a plea to have a simple life, i wish i could walk away from all of this, say fuck the world and go back to the monastery, back to the simple life.
I wish that was my calling. I’m tired of feeling like i’m part of something bigger than myself. I get this feeling like i’m being moved towards something tangible, solid, practical, all-encompassing and “destined” for me. But I hate that feeling sometimes.
It’s a wonderful excitement that helps me taste adventure, but I hate feeling this inevitable pull towards something I’d rather walk away from. I would rather just be empty, free of all commitments, devotions, positions, titles.
I hate this uncertainty.
I wish I was the whispered blessing on a lover’s lips, instead i’m the bane of a middle aged republican history teacher.
I am not what I once was, i’m not an artist anymore. I’m barely a theologian. It all feels like pretend, and I don’t know where the fuck i lost myself, but I feel like i’m barely present here and now.
I am hurt and frustrated by unspeakable things that I wish I could take back, change, undo, avoid involvement in, and just never have been a part of. I wish that I could dump all the exteriors and retreat into a life of private faith, just the simple piety of a man trying to live a life as best he can for himself and maybe a family. Farm life in Ireland or something, just raw, and connected to the earth.
For more that I try to be a man, i feel like academics strip that from me. I want simplicity, but the academic circles force me into the realm of speculation on language and definitions, i just want to eat a steak with my hands.
Fuck me….
I don’t know what i want i’m uncertain on almost every level and feel wretched and terribly lost.
I feel like a little boy who doesn’t know how to begin to address coming out of his mother’s skirt and into the world at large.
I may be a pillar of boldness on the surface, but my shyness lurks underneath, and I feel the implications of my reservations, of the dignities that I hold onto.
I try to let them go, but I feel as if when i do they might be misinterpreted as romantic endeavors. I’m not trying to start anything with anyone. These dignities, these wants, these reservations and self restrictions, these ascetic choices that aren’t beneficial to anyone, these empty formalities that are further away from self actualized manhood than anything else. But I feel as if i look a certain way to the world.
I am not trying to fill some sort of empty gap with mockeries and jesting, I wish I had a connection. I wish i could bear my whole heart, and that someone would care enough to listen, to open up too.
I’ve hurt too many people along the way, ridiculed too many innocents, broken too many hearts, and confounded too many hopes and aspirations. I am the dark mirror which reflects back only the past, only broken hearts and weeping faces, bleeding eyes and broken places.
I am wandering the world in silence and I feel as if I need to scream. No night has ever been this dark, and for some reason though I feel this is one of the darkest nights of my life, I feel simultaneously that this is not the worst i’ve faced though it certainly feels like it in an indirect way. See, I don’t have a manifest panic,it’s more like a resignation to the darkness, that just treats the darkness as a trite formality.
i don’t know why that is, because I feel totally abandoned, and maybe this is me being able to meet God in the situation, maybe it’s just numbness,
I can’t be sure.
So I wait, and wrestle with these questions in my mind, and let them sweep over me in over growing concentric circles of consciousness.
I guess that is all I really have to say, not a pretty poem, or a well crafted internal monologue, just a blurt, with a feeling of emptiness still not sated in the end.
Interactions
September 11, 2008
I breathe you in, your fingertips scratch across my lips like hands lifted high in prayer, I see you there, waiting.
Please don’t hold this against me, I feel something changing. Silence is waning, and we are waiting. I feel, your hand in mine again and it all depends, on breathing.
I can’t flourish in this half breath, with this canopy of fading embers being all that remains.
What remains is just a construct, a shadow, forgotten holidays and high holy days.
Break it all down into simplest terms, don’t forsake me now.
Let’s make a few of you and me, but where do we begin?
Don’t deserve me now, let’s get out somewhere different than where we were before.
Don’t tell me you never knew, it’s rising like prayers in our midst, as your hand collides with mine and your love meets my eyes.
Reflecting the endless interlude between presence and absence, i feel the tension of our union
Blessed Mecca, return to me my innocence, my wanderings in your presence, as I cross these streams in the desert, the sands shift underneath my feet, I am searching.
I am drunk with this wine and searching for a mirror, my life is in my eyes and the light behind them streams out like fresh water, whispering across the face of these arid dunes.
Prayers rise up like the ashes of a funeral pyre, calling out, my heart longs for return, my feet take me further, I feel closer, you are closer.
My daggers cross themselves before me like stars in my hands, let these lights in my hands rend the heavens, and tear down the veils.
The coldest night brings the warmest hearts, join together when the coldest man grabs his altar, and spills himself upon it.
Remember my words and echo yourself in their reflection, repetition makes for meditation.
Meet my gaze and drift away if you wish, but don’t say i never tried, don’t deserve me now, don’t desert me now.
It all depends on breathing, and i feel your fingertips scratching prayers once again, into these praying lips.
What Does the Resurrection of the Son of God Mean Today?
September 2, 2008
I was thinking about my Christian experience today, and as I was considering the implications of a certain emotional state, I got to thinking about the Victory of God in Jesus, and the idea that despite all things God has won a victory in this world and that ultimately, I am participating in that victory.
Sure, today I am not in the best state, but I have hope. Hope reaches into me, to lead me towards the victory of God. I am the essence of all consciousness, being constantly resurrected from a fallen state. I am baptized into the body of the Risen Lord, and united with him by one Spirit, made one flesh with him by that same Spirit. I am not forsaken, but am embraced by this beloved who ushers me into his presence with glee, as I approach with trembling reverence.
My tears are merely prayers in a different language. In them is the hope of glory, as true suffering somehow brigs true redemption. Our ideals are not God’s ideals. The Risen Lord shows us that in suffering is the cosmos replaced where the chaos once was. Idealism is ultimately backwards, and in those ideals I am further from the Resurrection of the Son of God than closer.
So it occurred to me that in order to truly experience the meaning of this great and glorious resurrection, it means that I must not shed the ideas that I have thought were ideal, I must also embrace those which are seemingly backwards to me.
Suffering is not the emptiness of dejection, though that is experienced, it shall prove to be more integral to the resurrection of my person than should I never have suffered. The world, I can’t speak for, but for me, for Eli, this suffering is my invitation into God’s plan of redemption.
So, as I enter into the lower depths, I know that my war with the forces of evil is not in vain, as I leave behind those things which would lead me from the narrow path, I find pleasure in the backwards ideals of God. Sipping a Lady Grey tea blend and wondering about all this gives me pleasure, and as I pursue my future, I realize that in time I will get there, regardless. Today is a day, tomorrow shall be another, and ultimately, it is completed in such a way that my purpose will be accomplished, I have faith and hope that the path set before me is not in vain and that which I feel called to complete will be completed because I have dedicated myself to it and to enjoying today.
I am enjoying beauty, the joys of mentoring, and being mentored, the beauty of togetherness, the bliss of separation, the ebb and flow of presence and absence.
Beautiful.
As you read this, I don’t think you’ll understand half of what was said here this day, and for that I am sorry.
I don’t blame anyone or anything for these things which we pass. We are all journeying towards something, and I am whole in the redemption of my body. I am whole in my expectation that this is going to be well.
So, brothers and sisters, my little children, remember that suffering causes the redemption of things outside ourselves, and in the end, it is not about how God is going to save me. It’s about how God is going to save the universe through me.
Love one another, as I remember to do the same. Hold fast. Stand strong.
The Resurrection shall live through me today, and in this we are well pleased.
Berlin
August 1, 2008
Snow falls lightly from the dark onto my gloveless hands, I never asked for this. Blowing on my hands with the steam of my body’s internal combustion i pause a moment, thinking. Everything is grey, like heaven has chosen to abstain from our little city. My hands seek warmth in a pocket as the snow crunches beneath my heavy feet, dragging the white away from the surface like a blight upon the dreamscape.
The narrow streets extend to the skies with building blocks of society, track marks are rare at this time. I am the only sojourner of the white surface tonight, looking to the starless sky, my freedom suspended under the night sky, i am breathless, passing from one sectioned block of night to another. Waiting, moving under the gaze of suspicious eyes. The Stasi rule these streets. Echoes, a typewriter sits vacant, using the red ink of liberation to make its plea.
Unheard. Unheard.
I write for our freedom, as the national census has stopped printing the suicide rate in our land. I write for the unheard voices, and I pass from this night into the next, waiting, echoing, breathing in memories. I pass from this life into another, taking up new, different hands, i remember those lives of the others, actors, actresses, playwrights and thieves, voyeurs, and politicians.
The heavens have chosen to abstain from our blessed little city, and the power of humanity to create grey and unknown spaces has taken hold of our once bright livelihood. Passing in the streets, i am a blight upon the snow covered heaven that the people endure. And I, I, am a blight because I long for freedom.
Stapler, Mr. Plant
August 1, 2008
Stapler, Mr. Plant, minimalist that you are. Stapler please.
Surely you can’t just let it fall to the ground in such a manner, spilling its prefabricated parts assembled without remorse all over this cold floor. Surely you have sensitivity Mr. Plant, for the fake plants assembled in your bank lobby, falling to and fro, stressed under the unitary budget and global deficit.
Stapler please, Mr. Plant as you can see the minimalism is simply too much with our current society, you are a visionary. Change the world once, and you are celebrated as a hero, change it twice, and you become your own martyr, Tesla syndrome you know.
We picked you, crafted you, and have attempted to prefabricate your success, now will you hand me that stapler?
Surely you’re not just going to let it fall along with your aesthetic nihilism, such a rich beauty, into the oblivion of that concrete floor.
Dreams are prefabricated and plastic wrapped in our generation and you sir, are a subversive, dreaming with minimal efforts, sounds carried on by silence.
So as we attempt to flood you with our red tape shenanigans would you just bear with us and aid our bureaucracy?
Stapler, Mr. Plant, minimalist that you are. Stapler please.
Bad Love Songs and Optional Fish
July 20, 2008
Hey all, saw Hellboy II tonight. It rocked. I loved the creatures, the story was alright but the design was wonderful. the only thing that bothered me was the Abe Sapien thing, they have officially turned him into optional fish.
In the first film Abe couldn’t breathe without his assistance neck collar, but in this one he has the option of hanging out, gills abreast in the open without a fear of suffocation. In the first film, the collar circulated water past the gills, in this one it seemed like an afterthought.
i’m a bit ocd I know, but still he seems like an optional fish. Just the idea of optional fish….
seems like Aqauaman’s brother that never made it through hero school. “Behold, I am optional fish! I can’t turn into a dolphin, dolphins are mammals asshole. But I can do a guppy, or a flounder.”
Optional fish, we sing your praises.
All Hail Optional Fish, King of the Hellboy Universe
and what was with the moment where the movie turned into a musical?
Strangeness, but really, loved the movie overall.
On a side note to self:
And the chapter shall be called: on the facifulness of long distance loves and their ensuing hillarities which are hereafter mentioned after this aforementioning preface, and the happiness of good friendships, which as everyone knows are like dragon tears, they turn into jelly beans
From the Brook to the Beyond
July 19, 2008
and as I drifted in the brook the frog passed off to a different branch of the stream, and I beheld a commotion, lifting my eyes i saw birds, of every shape and size in the air, they rattled above me, one swooped low and asked, why do you float there so curiously, between the solid and the sky? Surely the sky is superior to the floatation you are undergoing there friend. Surely it is better to escape the brook altogether, to grow wings and fly away with us.
No sir, said I to him, I am well and aware here, to be in the sky is to forget the lesson of icarus for those who tread where they are not supposed to. All heights have limits, to forget this is to lose sight of what is important. So here I float dear friend, with the air around my fingertips and water logged in my shoes.
Surely you must desire to fly though, to ascend to the highest heights, he inquired excitedly.
Yes surely all humans do, said I unto him, but I am not so coy as to think myself capable of grasping such a reality as is beyond me without instruction or accommodation.
The bird flew off at this looking troubled.
Coming upon a bend in the brook i reached out to the deeper waters, and coming upon the gates of hades I stood motionless for a moment before passing in. Coming upon the ferryman there I was asked why it is that I paint, he said surely all things enter into the land of the dead and not one thing shall ever truly remain.
I said to the ferryman as he inquired, surely duration is not the only way in which to speak of reality, memory is not forever either, but there are realities which while unspeakable live beyond duration and are outside its limits. Surely there are realities such as the ones we see when we squint and catch glimpses of it behind the world but throughly in the world both this one and the next.
Thus they are captured in every generation by every thinking mind and opened eye.
At this he smiled, the ferryman did, and laughing a great laugh, he simply shook his head and continued rowing our ferry.
The Toad’s lesson on the arts
July 18, 2008
Imagination and The task of Suffering
July 10, 2008
yeah, so here’s another question: why is it difficult to be a human being?
As I sit here and ponder my own existence, i’m confused, beholding myself, beholding, myself. I am indeed a strange loop. higher consciousness built on lower consciousness.
Today I feel like the world is decent, i’m a failure, but i’m ok. i am suffering, i cause suffering, i will die, I cause death. what dogma has ever been able to solve that one?
why can’t we seem to accept the mystery of our own inherent good and evil?
mysterion. theotokos. logos.
a community of words beyond simple meanings, beyond reason alone. as I unlock my imagination and set it loose to tackling the task of existence. Imagination.
Where does wonder come from? Why do we wonder?
we wonder because we are weak, because we are children, not one of us is old, not one of us is ancient, wisdom escapes us. we imagine because it is our gift, we have been granted imagination or stolen it and made it our own. We inherently dream, we have made it our business as creatures to dream beyond ourselves, to imagine.
It is our task to imagine, and when we do not do so, we are miserable and weak, fractured beings. Imagination is. We are.
Ever shall God be.
I’m done.
eli
Alive
July 8, 2008
To feel great suffering is to be alive in today’s world. For with every great deep and chaotic valley, we know we are truly alive among the sedated masses that stumble in and out of bed obedient to every passing whim of authority, be it the job they serve, the advertisements they attend to, or simply the silent desperation of anesthetics for the soul, to feel pain is to be alive.
In past ages we’ve had pain to deal with, agonies of the soul, quiet meditations to life’s big questions. Today, we sit in an emulsion of sound and lights and flashy colors and distractions, so that when we do contemplate ourselves, we despair. We ache and hurt because we are not at rest, we live like the kings of ages past, and yet have not found happiness, and as Nietzsche pointed out, we are the last man, we are the final ones, who will claim with our sleepy eyes, “We have invented happiness.”
So, know then that when you suffer, and ache, and have riddles to ponder, great questions to overthrow and overcome, when you are tortured, you are alive. You are not sedated. You are empassioned, you are not anesthetized against yourself, you embrace your weary bleeding heart, and carry your heavy cross across the landscape of humanity, calling forth with clarion call, ‘this is the way!’
Have we become so blind? So as not to feel our souls retreating as our distractions flood us with less energy, less life. To contemplate is to be alive, to be conscious of oneself is to be a self, without this, we are shells.
Such heavy passions such as burden the hearts of the weary, these are the things which make us alive. We either live in great tragedy and ask why, or have no tragedy at all and are resigned to sedation which is the worst of all evils that can happen to the human soul.
To suffer is to be aware.
Though this by no means resolves suffering, know that you are alive when you feel, your passions are still beating in your weary heart, better than nihilism of the soul, better than sedation, better than a lack of identity, you are still alive.
And in that life we find our passions steady beating, that solemn agony.
It still echoes across our hearts and minds, in the visions of our memories, in the hearts of all children, the knowledge that suffering is within us all.
We are alive in this, and as we near that great consuming fire, we find that we are all alone, outside the walls of normality, outside the jurisdiction of sedation, outside the facets and boundaries of acceptable. We are not acceptable, we are prophets. We are not the joyous announcers of salvation, but the harbingers of awareness, bringing suffering to the forefront of our minds, in order to answer the question which has never been answered successfully. From Buddha to Jesus, to the New Age and beyond, no one can answer.
The Outside is Within.
the mystery of grace
July 2, 2008
I just feel so afraid, today I’m so alone. And no, this is not a poem, this is my life. Hopeful and ever looking forward, i still find myself pausing, regretting, wasting away in the torture of my own possibilities, things that make me happy torture me with their enjoyability, and i seem to only find rest in misery.
I hate myself today. I want to strangle myself today, for how vain i feel. like a fucking insolent prick bastard, conceited and self indulgent, working my way into everything only to spoil it by touching it. I feel like those thigns which i would gladly preach against, hate, vanity, greed, lust, envy.
I feel unkind, unlovely and dirty. I have crossed boundaries, been unfaithful to God and myself, and forsaken the person i thought i was. I have lived life to the fullest, emptied my heart on street corners and sold my body for love. Nothing ever changes. New humanity…where the hell do we get these things?
forgive my bitter pessimism, if it disturbs you, well, i’m just tired, i can’t seem to catch a breath and I fear that animal which seems to have become me. even as i approach that person i want to be, find happiness, fulfillment, inner peace, these things drive me to insanity. I can’t just allow myself to catch a moment of peace and absorb the meaning of life set before me, no….i have to complicate thigns, make them painful, difficult and selfish, i have to make them real, because any shred of frivolous pleasure would be too much for a holier than thou good lutheran like me. fuck it all.
fuck
it
all.
to hell with charades and bitter tears. to hell with these feelings, this guilt. this elephant in the room, this dying agony that tears at me everytime i have a minute to think.
I am a person, and i am hurting. i am a person, and for the first time in my life, i am treated as such, unconditionally, without regret, without remorse, without second guessing.
fuck you.
today, i am treated like a someone, beautiful, accepted, discipled, welcomed, lovely, today i am transformed rather than beat down, and in that acceptance i find my biggest threat. The thing i have always longed for, that unconditional love we’re all chasing after, it’s at my doorstep, it’s knocking, it’s here it’s upon me tearing at my chains, loving me without regrets, and today i shut my bible. Today i feel like God spoke to me, and it hurt worse than having a broom broken over my flesh, it hurt worse than the betrayal of infidelity, it jurt worse than the separation of death, and it welcomed me into a holy foresight, a peace that lies beyond the fringes of the mind, that comes to dwell in the center.
can you understand that?
I can’t comprehend this thing….this unconditional love thing. we all say we believe it, but go out and slap someone in the face, see if they love you then. go out and steal someone’s car and bank account numbers, see if they wake up to go find you and embrace you. go out and show someone your flaws, and see if they can accept you, tell someone you’re in love with them and that the world beats at a more painful pace when they’re not around, see if they feel the same.
they don’t.
not usually.
can you believe it? I can’t. I’m beyond words for this thing, this love that just accepts and never condemns, that’s fucking sacred. beyond words, spaces, times, this is the ineffable made into experience. God truly encounters humanity in time, because moments are sacred, spaces are transitory. moments are forever.
and as I go on exploring this journey that leads me down twists and turns tugging between holiness and absolute fear, loathing and loving, I feel angered, loved to anger by too beneficial a love, too forgiving a grace, too compassionate a mercy. I feel too accepted by something i could never accept back the way it deserves.
that’s frustrating as shit. how the heck are you supposed to deal with a realization like that and be sane?
I can never love and accept the love that God has given. it’s too overwhelming, too sacred, too present a reality, far more substantial and real than I can be.
I feel like a ghost next to it, hollow, and in pain due to the reality around, and looking at the beauty everywhere, I feel naked, cheated, bare, exposed, torn to bits and hatred spews out of me like an ocean, pouring out onto sacred ground, frothing at the mouth i’m trying to taint it, make it more bearable, make it more mundane, and it just refuses to change.
It’s still sacred, it just absorbs all my evil, it just cleanses all my dirt. it just transforms all my guilt and makes me scream on the inside because I can’t be anything base near it. It ust changes my filth, transforms my anger, redeems my sludge.
I hate it. oh….i have really come to hate that love of God which I also praise so highly. it’s too accepting, it’s shockingly overpowering, even when i wish to do evil and taint myself, i can’t. inescapable.
inescapable.
tragically holy. the grace of God is tragically holy, so sacred that facing it draws tears of blood from the beholder. It wasn’t God’s decision that Jesus faced in the garden, it was the power of his own forgiveness. The power of a grace so otherworldly it hurts to look at.
It’s made me cry today, made me angry, happy, frustrated, solemn, bitter and accepted.
How do you face a love so solid it makes you feel ashamed?
How can you reject a love so powerful it hurts when it acts as a mirror showing you how insubstantial your heart really is?
It hurts to behold, oh it hurts worse than any physical pain I’ve ever experienced, and yet it’s necessary, and in staring directly into it, i feel like my flesh could melt off my bones, and I feel like every cell on my body is bursting with new life.
this is just so incomprehensible to me.
fuck…
it’s a mystery.

